A contemporary political allegory of power, to remind us of the dangers of following a dictator and surrendering your freedom. Life is simple for the pigeons. They have no desire to contemplate their future or take control of it. Free from responsibility, they are all too willing to submit to a strong authority. This is precisely what a cruel and power-hungry crow was waiting for--a perfect opportunity to wield his natural talents as a tyrant. The crow enforces law and order, but also terror and arbitrary rules. Everyone seems to accept this situation--or maybe, they are too scared to resist. Until an idealistic seagull steps in determined to challenge the system through debate and free elections.
The allegory is blunt, and the pigeons and their story are equal parts frustrating and comical. However, the illustrations and ruminations are still on point, and you might be feeling some kinship with a certain seagull by the very end.
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Long after the demise of humankind, birds roam freely around a new earth complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a stud as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honorable professions for most birds are historian or librarian). These birds are free to crush on hot pelicans and live their best lives until a crash-laded human from the moon threatens to change everything.
Using animal figures to suggest the nature of the characters -- Nazis are cats, Jews are mice, Americans are dogs -- Spiegelman movingly portrays his parents' experiences and, my extension, the widespread horrors of the Nazi campaign to exterminate the Jews in Europe.
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