by Josh Silver
Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story.
This book has been everywhere on my social media and has been sold out everywhere this summer- and, let me tell you, its popularity is for a very good reason! This book is a dark satirical thriller that, despite dealing with some really heavy topics, has an incredible pacing that makes it impossible to put down. The book is told through alternating POVs of Mallory and Leo, and Silver manages to give both characters such vivid, distinct voices that were both interesting to read. Because the book is told in each of their perspectives, we learn how they are both manipulating and exploiting people in different ways, including each other, which I found added to the nuance of this book, as it isn't one "bad" character hurting the "good" character. It's much more complex than that: both characters are flawed, unhappy, and are both pretending so much that they are lying to everyone around them, including themselves. Beneath the thriller and satire, the book raises important questions about the publishing industry’s obsession with trauma, who gets to tell queer stories, when curiosity or inspiration crosses the line into exploitation, and much more. Many of these questions don’t have neat answers, and I think that's the point: everything and everyone in this story is nuanced and complex, as is most of real life. I also loved the ending. I found it to the perfect way to end the book, and it was surprisingly hopeful, which felt important, especially considering the conversation the book brings up on how much of LGBTQ+ stories in media end tragically for their characters and the damage this does. Overall, this book had everything I was looking for: it was funny, smart, thought-provoking, heartbreaking, and unsettling. This was one of my favorite books of the year, and I haven't been able to stop thinking about it.
If you like Fruit Fly, you might also like:
by R.F. Kuang
Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol, and extreme cinema. The news triggers a self-destructive tailspin, centered around Irina's relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention.
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